Establish your photography style as a baby photographer.
This way, you will be able to lay your cards on the table when your clients ask you a little more about what you do during client discussions. There are technically two photography styles to check out when it comes to this particular niche: posed and lifestyle. Posed baby photography is mainly focused on staged photos. Some of these posed photos look best with a little help from the magic touches of editing while some just require an expert balance between insight and skillful execution. Lifestyle baby photography, on the other hand, is all about letting it all flow fluidly and easily with little to no intervention from the baby photographer. The baby is photographed at home, in the park, playing alone, and pretty much doing just about anything that he normally does on a daily basis. Whatever the initial preference of the clients might turn out to be, it is important for you to stress out ahead of time that there should be the right kind of balance between the two different photography styles when it all comes down to it.
Try to shoot some shots devoid of color.
As a baby photographer, you should be able to capture the essence of the baby sans any colors. This makes the photos come off looking more intense and classy. Whenever you are stumped for creative ideas and whenever you need something to fill the gap just to help break up the routine and encourage a little more spunk in the photos that you produce as a baby photographer, black and white scheme is most definitely the best trick to go with so make sure that you whip something like that out every once in a while. The black and white scheme has always been interesting and intriguing because it makes the audience try to look a little longer and a little harder in order for them to get a better grasp of what the pictures are all about. When everything is colored, it can be very easy to overlook a few details because the eyes are getting a little too busy with so many details presented at face value all at once. It’s different with a black and white photo though. The details need to be “discovered” and figured out and it tends to entice the senses altogether.
Always book within the first ten days.
Every baby photographer knows this and you should keep this to heart at all times. Babies are usually the most peaceful and the most agreeable during the first few days of their lives. If you would like to get a shot at being able to mold them into crazy looking but nonetheless photogenic positions, then the first ten days would have to be your window. Talk to the parents about this because it’s really mainly up to them to factor in with the schedule requirements at the end of the day. You will end up dealing with a baby who is either asleep, feeding, or half asleep all of the time and that’s always a good thing.
Talk to the couple about the things that they can expect out of hiring you as their wedding photographer.
Expectation management is the first step towards establishing a great and fulfilling relationship with your wedding photography clients. This is something that you should always try to aim for as a wedding photographer Surrey. Before you go ahead and accept an agreement and end up being someone’s official wedding photographer, make sure that you get to actually listen to what they have to say for as far as expectations and requirements go at first. They might be looking out for a different photography style than what you are currently capable of. They might require far more advanced equipment than you currently have in your arsenal and you might need to rent some stuff out if you push through with it.
They might expect you to come in with a team of 5 people or so because it is a particularly huge wedding and you only have access to a second shooter as of the moment. There are a lot of scenarios and possibilities wherein you might end up disappointing your clients and this can really sour up your working relationship with them. Make sure that you manage their expectations first and foremost because it will be easier to follow through with the rest if you are done doing so.
Make it a point to include the small and minute details when you are shooting as someone’s wedding photographer.
The detailed shots are usually the most creative and the most whimsical. Although this is not something that your clients will tell you right out, especially if you are dealing with absolute photography newbies, this is something that they will really be able to go ahead and appreciate once the final finished photos come in and that is what you should try to prepare for ahead of time. Come in early for the wedding, before the rest of the guests start coming in. This is something that will get to more or less afford you with a little more time and moving space to really compose your detailed shots the right way. The wedding venue also tends to look so much more different when it is empty compared to when it already has guests in it. You will appreciate the foresight of coming in early. Plan your schedule out so that you don’t have to rush through it the moment the wedding gets in full swing.
Use two cameras.
You need to make sure that you get to use two cameras once you come in as someone’s wedding photographer Surrey for that special affair. Bringing just one camera will not suffice. You need to factor in the possibility of equipment failure somewhere along the way. Borrow or rent your second camera if you have to, just don’t show up at the wedding empty handed. Always make sure that you have your basic contingencies set up and ready to go so that you always have something to cover you in case something comes during your surrey wedding photography shoot.
Experience can be hard to come by with especially if you are new to the industry as a wedding photographer. One way for you to gain experience in a somewhat guided and structured way would be for you to actively apply and work through internships being offered out to you as a professional wedding photographer. When you are working things out through an internship with a more experienced wedding photographer, you are technically being guided by that said wedding photographer as well. It is like getting some kind of mentorship program all at the same time as well on top of gaining experience as a wedding photographer. If you are currently taking up a photography course or if you are attending any classes and the like, make it a point to check out the admin board of the school that you are attending in to see if there are any internship programs being offered out to the students. Check them out online as well. Some of the wedding photographers prefer to put their offers out online so it would be nice if you will be able to keep a keen eye out for posts like these because this can be the best way for you to gain experience as a wedding photographer at the end of the day.
It will not hurt if you start off as someone’s hired hand or assistant. Even if it means that you will not be behind the camera or even if you don’t end up being the main man, you will still learn a thing or two from the wedding photographer that you are trying to provide assistance to at the end of the day. The great thing about apprenticeships is that although you will not exactly be earning big bucks or earning as much as you would like to as a wedding photographer, you will still be earning enough to get you by or to keep you afloat the entire time that you are still trying to go ahead and gain experience through it when it all comes down to it. The path towards commercial success will turn out to be an uphill climb and you will be having a hard time and end up struggling a lot before you even come near to attaining any modicum of success as a wedding photographer. You are going to need the money that you earn from apprenticeships to help pay the bills. After all, even if the bookings will not be coming in yet, you can bet your bottom dollar that the bills will keep coming month after month no matter what happens.
Pro bono work
The thing is, no one will really be all that willing to hire you just yet given the fact that you don’t really have anything in your portfolio. You are going to need to work your way through it. Pro bono work is the answer to this. Check out if you will be able to provide coverage to friends and other relatives and offer it out for free. Make it a point to not make any guarantees though and go through it as a backup Berkshire wedding photographer.
You need to put in hard work and start from the bottom before you make it to the top of the wedding photography industry.
Although it would probably be every wedding photographer’s dream to waltz right into the scene and be an overnight success, this is something that almost never happens at all. You need to make sure that you get to set your expectations in the best possible way the whole time that you are at it. The truth of the matter is that things will not turn out to be easy for you at the start of your career.
You will most certainly come across a lot of challenges and a lot of rejections while you are at it.
This is all a part of the process the earlier you are able to accept that and get that taken care of, the more you will be at ease with the amount of effort and time that you get to put into the endeavor before you come out as a shining success. You will not be getting really big bookings for glamorous and high profile weddings just yet and this is something that you need to really accept and be ready for at the start of your career. Make use of the small bookings that you get to have and give it your best shot. Things will eventually progress in your career as a wedding photographer kent for as long as you exercise patience.
Surround yourself with like minded people in wedding photography.
You need to have a lot of contacts and connections in wedding photography so that you have a support group that you will be able to rely on at the end of the day. When you have a constant volleying back and forth of ideas and creative inputs, you are almost always guaranteed to have a fresh source of ideas all of the time. This is quite healthy for your creative thinking process and planning in wedding photography and this is something that will really get to bring out the best in you and in what you can do whenever you have a wedding photography shoot to take care of and provide coverage for when it all comes down to it.
You are the company that you keep.
When you are constantly in the company of creative thinkers and movers and shakers in the wedding photography industry, you get to emulate their success and good traits and you will eventually be able to mimic those said good traits in the long run. This support group will get to help you out as well when you are at certain low points in your wedding photography career. It helps when you have people that will constantly inspire you and encourage you to get better and to be better.
Take time and be patient in developing your skills in wedding photography.
You will not figure things out all in one go. You will not be able to absorb them all at once. It is a gradual and an eventual process and you need to make sure that you get to be patient with it and patient with yourself as well as much as possible.
Most of the commercial photographers out there had to go through fire and a whole bunch of challenges before they managed to get commercial success. Commercial success can look like an entire mountain to conquer and it is, but that’s not how you should be seeing things. Take it a day at a time, focus on your goals and on the rest of the other things that you need to do a step at a time. This way, you don’t end up getting overwhelmed with all of the things that you need to work out in order for you to be in more or less the same playing field as with the rest of all of the other commercial photographers out there who are currently enjoying the perks of being at the pinnacle of their careers. If you don’t gain commercial success right away, this is because it is most likely impossible to do so, given the amount of competition and difficulty it will usually require for commercial photographers to succeed. However, you can always gain consolation in the knowledge that things like these are gradual and that they will get to work out one way or the other for as long as you are patient enough and diligent enough to go through with things at the end of the day.
Always manage the expectations of your clients.
Always learn about what they are requiring from the commercial photographers they are considering. Your clients are paying customers. This means that they are shelling out a good amount of money for your services as a commercial photographer. You cannot afford to do anything halfway through or half heartedly. You need to make sure that you are able to really go through with things in the best possible way and that your clients are fully satisfied with everything that you manage to produce and provide for them by the end of your coverage. This means that whatever they may currently be expecting from you should always be satisfied and you should even try to go perhaps so over that. Talk to them and find out about their expectations at the onset of the agreement. If you think that their expectations might be a little too much to follow through on, explain what the realities are and try to gauge their responses from there. If they are absolutely adamant about getting what they want but are unwilling to compromise with say, the pricing, for example, then perhaps you should use this as your cue to let go of the agreement.
Get your pricing plan set in motion and explain it well to your clients.
Your pricing should both be attractive to potential clients and strategic as well. This means that it should be low enough to bring them in and have them book you but still high enough for you to have a fairly comfortable margin of profit from it somewhere along the way. Study and list down the overhead costs and the kind of equipment that you will be using for the coverage. Also project the number of hours as well as the different deliverables that you will need to push through with and try to calculate those. The moment that you deduct all of the overhead costs and equipment charges, aim for a per hour calculation of your services.
Constantly do sign offs while you are at it.
It can be tricky having to deal with demanding clients and commercial photographers stress over this all of the time. They might ask you do redo your shoots because they didn’t get what they were aiming for. To avoid this, bring them along during shoots and constantly try to do sign offs while you are at it. This way, they are looped in all of the time and you get their sign of approval before you move on to the next phase.